The code for my games? Agents handle it, faster and more correctly than I would. The thing that stopped me cold was the story. I'm not a writer, so I did the only thing I know how to do — turned "how do you write a game story" into a research problem, tore the craft apart, and built a skill that walks you from a blurry idea to a scene you can actually stage. This is the process, and the genuinely useful craft I dug up. AX Skill Workshop, part 2.

有人用 AI 两小时做了个游戏。我决定做三个。不写代码，只当制作人。第一个游戏的概念阶段，AI 写出了比我更好的剧本。

Someone made a complete puzzle game with AI in two hours. I'm making three — as producer, not developer. In the first concept session, the AI designed a better story than I could.

Dead Signal 是第二个游戏。一个调查记者，一部连环杀人案受害者的手机，72 小时的碎片数据。恐惧不来自画面，来自数据。

Dead Signal is the second game — an investigative journalist reconstructing a murder victim's final 72 hours from fragmented phone data. The horror comes from data, not visuals.

Shadow Access 翻转了 found-phone 游戏的叙事。你翻的不是别人的手机，是自己的。一个干净的 iOS 界面慢慢被「感染」，你要找的不是线索，是异常。

Shadow Access flips the found-phone genre: you're not investigating someone else's device — you're discovering what someone did inside yours. An iOS interface that slowly gets 'infected' as you uncover the intrusion.